Automatic multicamera editing

Auto Camera for Adobe Premiere

Turn a recorded conversation into an editable multicamera cut. Assign microphones to camera tracks, choose the rhythm and let Auto Camera build the edit in Adobe Premiere Pro.

Premiere Pro 26.2+ · Windows & macOS · UXP panel

Auto Camera for Adobe Premiere alongside a completed multicamera timeline

Automatic multicamera editing for podcasts and interviews

Work directly in Premiere with the cameras and microphone recordings already arranged on your timeline.

Map microphones to cameras

Read the active sequence and assign up to 10 microphone tracks to video tracks. Choose WAV source channels automatically or select a channel manually.

Set the rhythm

Adjust the voice threshold, reaction, speaker hold and minimum shot duration. Bring the next speaker on screen earlier with adjustable cut anticipation.

Create and refine the edit

Create a separate sequence with normal, editable clips. Keep refining the cuts in Premiere while your original sequence remains available.

Features

Shape the edit around the conversation

Speaker-driven camera cuts

Choose camera angles from microphone activity. Up to 10 mappings let several microphones use the same camera or each speaker have their own shot.

Editing rhythm and anticipation

Set how quickly the camera reacts, how long a shot is held and its minimum duration. Anticipate the next speaker by up to two seconds.

Wide-shot rules

Insert wide shots at fixed or random intervals, or between speaker changes. Adjust the duration to suit the conversation.

Silence removal

Trim pauses across audio and video together. Set the silence threshold, minimum pause and margins around speech; use Auto to estimate a threshold from your selected microphones.

Slow digital zoom

Choose the person to move toward in a one-, two- or three-person shot. Control zoom speed and enable it individually for each microphone and the wide shot.

Two editable layouts

Build the camera cut on a new top video track, or trim the existing camera tracks in the copied sequence. The result stays editable in Premiere.

Inside the Premiere panel

Your settings, camera assignments and zoom controls in one panel. Select any screenshot to enlarge it.

Prepare your sequence

  • Adobe Premiere Pro 26.2 or later.
  • Cameras and microphone recordings must already be synchronized.
  • Microphone analysis uses separate tracks with PCM or float WAV files, including multichannel WAV.
  • Analysis reads source WAV audio; it does not include Premiere effects or the processed mixer signal.
  • The CCX package is designed for Windows and macOS. Native integration has been tested on Windows; macOS validation is still pending.

Keep control of the result

Auto Camera works on a copy of the sequence and saves the result in a separate project file. Review the automatic edit, adjust cuts and continue working in Premiere. The original project is not overwritten.

Questions about Auto Camera for Adobe Premiere

Does it synchronize cameras and audio?

Prepare and synchronize the recordings first. Auto Camera uses their existing timeline positions to analyze microphones and create camera cuts.

Can I change the generated edit?

Yes. The output contains normal Premiere clips in a separate sequence. You can move cuts and keep editing by hand.

How does the zoom work?

It is a digital move created with Motion position and scale keyframes. You choose the subject and speed; it does not move a physical PTZ camera.

Which audio files can it analyze?

The current version analyzes source WAV files on the mapped microphone tracks, with automatic or manual source-channel selection. Compressed audio, nested sequences, reverse and speed changes are not supported for analysis.

How can I get access?

Contact support@pluginsforlive.com for access and licensing information. A payment link will be added to this page later.

Bring your next conversation to the timeline

Tell us about your Premiere workflow and ask about access to Auto Camera for Adobe Premiere.